Welcome to another episode Lights....Camera....Popcorn!
Today's review is Sucker Punch Directed by Zack Snyder. Written by Zack Snyder & Steve Shibuya.
Review #113
MPAA Rating: PG-13 for thematic material involving sexuality, violence and combat sequences, and for language.
Runtime: 109 min
Cast
Emily Browning - Baby Doll
Abbie Cornish - Sweet Pea
Jena Malone - Rocket
Vanessa Hudgens - Blondie
Jamie Chung - Amber
Carla Gugino - Dr. Vera Gorski
Oscar Isaac - Blue Jones
Jon Hamm - High Roller / Doctor
Scott Glenn - Wise Man
What do Frank Darabont, Darren Aronofsky, Christopher Nolan, Peter Jackson, Akira Kurasawa, The Coen Brothers. Quentin Tarantino and David Fincher all have in common?
They are some of my all time favorite directors. Zack Snyder was very quickly approaching this list. With his previous three films, Dawn of the Dead, 300 and Watchmen, Snyder had made a name for himself as not only a visionary but a pretty good storyteller. The only hiccup was that each of these films had no originality. Dawn of the Dead was a remake and 300 and Watchmen were comic book films. So when Snyder announced he was making a film that came from a blank slate. I was very excited to see how many steps closer he was going to come on board my fab nine list and be #10.
He took a step back.
Baby Doll is locked away in a mental asylum by her wicked stepfather where she will undergo a lobotomy in 5 days time. Faced with unimaginable odds, she retreats to fantastical world in her imagination where she and four other female inmates at the asylum plot to escape the facility. The lines between reality and fantasy blur as Baby Doll and her companions battle various creatures and enemies to retrieve the 5 items they need that will allow them to break free from their captors before it's too late.
This film from the opening frame showcases it's ambition. It makes any and every attempt to flaunt it's panache. This was good at the start. The problems begin when the characters start talking. The story is very flat and poorly structured. Snyder tries too hard when exposing us to Babydoll's fantasy world. He never gives us a chance to connect with her as she attempts her escape. Instead we get action beats that double for her and the rest of the girl's going after the actual items needed for the plan to work.
Now this is where the film absolutely SHINES! As expected, Snyder just kills it with the action scenes. The actual stunt work is impressive but the visuals are an orgasm for the eyes. Snyder's imagination clearly has no bounds. I mean a 10 foot tall samurai firing a mini machine gun? Just a brilliant display of geek awesomeness. Unfortunately as great the action scenes were and believe me they were phenomenal, it also points out how badly constructed the narrative is. I won't explain how because it will give away major plot points. Let's just say the action scenes contain a certain amount of "predictability."
If you're paying attention enough you'll see what I mean.
All of this leads to the very unsatisfying ending. At first glance I was VERY annoyed at what transpired. Then after taking it all in and stepping back, I came to the conclusion that the ending at it's core makes sense but I still didn't like it. Again I can't go any deeper into it because it will spoil things. All I'll say is I felt cheated.
I know it sounds like I hated Sucker Punch. I didn't. There's a TON to like here. Amazing style and visuals. Hot chicks with guns who kick ass. What's not to like? I just had much higher expectations for a director who was able to avoid the dreaded S.O.S form of film making. He almost did it here. The plot needed more foundation and exposure.
So close.
On the 5 star scale. Sucker Punch gets 3.5 stars with a "Go See It" recommendation.
That's a wrap for today. This concludes my pretty nice March run. I'm not sure what's next right now but I know something will come up soon.
Until Next Episode...."I'll Save You A Seat!"
"D"
Paul
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Paul. Directed by Greg Mottola. Written by Simon Pegg & Nick Frost.
Review #112
MPAA Rating: R for language including sexual references, and some drug use.
Runtime: 104 min
Cast
Seth Rogen - Paul (voice)
Simon Pegg - Graeme Willy
Nick Frost - Clive Gollings
Kristen Wiig - Ruth Buggs
Jason Bateman - Agent Zoil
Jeffrey Tambor - Adam Shadowchild
Jane Lynch - Pat Stevens
Sigourney Weaver - The Big Guy
Bill Hader - Haggard
Joe Lo Truglio - O'Reilly
John Carroll Lynch - Moses Buggs
The dynamic duo of Simon Pegg and Nick Frost have blessed us with two "homages" of very popular genre films. The first being the zom-com Shaun of The Dead. Then the followed that with a very clever parody of cop action films called Hot Fuzz. If you haven't seen either of these films I DEMAND that you do. You will not be disappointed. They have now graced us with an homage to alien visitor pictures and just like their previous two collaborations they knocked this one out.
Graeme and Clive are a pair of sci fi geeks who decide to tour cross country to all the supposed sites where ET's have landed or visited. Along the way they meet up with Paul. A real ET that crashed on earth decades ago and was considered a friend to the planet. Now he's on the run from his "captors."
This film has the basic blueprint of ET all over it. A friendly being not of this world crashes here and is now trying to get home. But the people that have him don't want that to happen. So said being befriends some humans that help him get home. What makes this so much more is the fact that this ET curses and gets high. Paul is every bit a human in this film and acts like it. In fact you can make the case he's more human than the actual ones. His character doesn't feel foreign. I won't say why it feels that way but it's explained over several funny flashbacks.
The cast is filled with very funny comedic talents. Pegg and Frost are clearly the heavyweights here but Kristen Wiig is always shines with her dry wit. Jason Bateman plays Zoil with this no nonsense tough guy mantra but he keeps it just light enough to giggle when the time is right. The rest of the ensemble does their part nicely and this is what disappointed me about the script.
There was so much talent here that I felt some of the jokes were either too bland or just not there at all. With Pegg and Frost penning the script, I was expecting much more yucks from the likes of Bill Hader, Jeffery Tambor and the rest. Don't get me wrong, it's there but not with the same punch that Shaun of The Dead or Hot Fuzz had. This could have been solved with just one thing.
Edgar Wright.
He was the director of Shaun of The Dead, Hot Fuzz and Scott Pilgrim vs The World. These three films are brilliant examples of comedies of different varieties and styles. This isn't to imply that Greg Mottola screwed the pooch here because he didn't. I'm just saying that Wright has worked with both Pegg and Frost before and he applies a very unique style to his films. There's a kinetic yet easy to follow rhythm and pace when he's behind the lens. Another aspect of Wright's film making that I really enjoy is his editing style. It's hyper fast but not chaotic. He uses very clever in camera transitions from shot to shot and has a magic eye for special effects. I think his blood would have put this film over the top.
Having said that, the film still does it's job and does it very well. Paul's character design and animation is fascinating to watch. I even have to commend Seth Rogen's voice acting here. I am going on record right now by saying that I can't stand Seth Rogen. He irritates me to no end and his voice is just so disgusting that I want to stab my ears with pencils. Whew! That felt good to finally get off my chest. Putting aside my feelings toward him as an actor, he really nailed Paul's character. From his timing and delivery to the right amount of inflection on a key word or phrase that begs you not to laugh.
Overall, Paul is a fun comedy that proves once again that Pegg and Frost know what they're doing. Especially when it comes to paying their respects to films that they themselves have noted they loved so much as kids. I only wish Edgar Wright could have gotten his hands on this material. It would have been amazing.
On the 5 star scale. Paul gets 3.5 stars with a "Go See It" recommendation.
That's a wrap for today. Up next is Sucker Punch.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Paul. Directed by Greg Mottola. Written by Simon Pegg & Nick Frost.
Review #112
MPAA Rating: R for language including sexual references, and some drug use.
Runtime: 104 min
Cast
Seth Rogen - Paul (voice)
Simon Pegg - Graeme Willy
Nick Frost - Clive Gollings
Kristen Wiig - Ruth Buggs
Jason Bateman - Agent Zoil
Jeffrey Tambor - Adam Shadowchild
Jane Lynch - Pat Stevens
Sigourney Weaver - The Big Guy
Bill Hader - Haggard
Joe Lo Truglio - O'Reilly
John Carroll Lynch - Moses Buggs
The dynamic duo of Simon Pegg and Nick Frost have blessed us with two "homages" of very popular genre films. The first being the zom-com Shaun of The Dead. Then the followed that with a very clever parody of cop action films called Hot Fuzz. If you haven't seen either of these films I DEMAND that you do. You will not be disappointed. They have now graced us with an homage to alien visitor pictures and just like their previous two collaborations they knocked this one out.
Graeme and Clive are a pair of sci fi geeks who decide to tour cross country to all the supposed sites where ET's have landed or visited. Along the way they meet up with Paul. A real ET that crashed on earth decades ago and was considered a friend to the planet. Now he's on the run from his "captors."
This film has the basic blueprint of ET all over it. A friendly being not of this world crashes here and is now trying to get home. But the people that have him don't want that to happen. So said being befriends some humans that help him get home. What makes this so much more is the fact that this ET curses and gets high. Paul is every bit a human in this film and acts like it. In fact you can make the case he's more human than the actual ones. His character doesn't feel foreign. I won't say why it feels that way but it's explained over several funny flashbacks.
The cast is filled with very funny comedic talents. Pegg and Frost are clearly the heavyweights here but Kristen Wiig is always shines with her dry wit. Jason Bateman plays Zoil with this no nonsense tough guy mantra but he keeps it just light enough to giggle when the time is right. The rest of the ensemble does their part nicely and this is what disappointed me about the script.
There was so much talent here that I felt some of the jokes were either too bland or just not there at all. With Pegg and Frost penning the script, I was expecting much more yucks from the likes of Bill Hader, Jeffery Tambor and the rest. Don't get me wrong, it's there but not with the same punch that Shaun of The Dead or Hot Fuzz had. This could have been solved with just one thing.
Edgar Wright.
He was the director of Shaun of The Dead, Hot Fuzz and Scott Pilgrim vs The World. These three films are brilliant examples of comedies of different varieties and styles. This isn't to imply that Greg Mottola screwed the pooch here because he didn't. I'm just saying that Wright has worked with both Pegg and Frost before and he applies a very unique style to his films. There's a kinetic yet easy to follow rhythm and pace when he's behind the lens. Another aspect of Wright's film making that I really enjoy is his editing style. It's hyper fast but not chaotic. He uses very clever in camera transitions from shot to shot and has a magic eye for special effects. I think his blood would have put this film over the top.
Having said that, the film still does it's job and does it very well. Paul's character design and animation is fascinating to watch. I even have to commend Seth Rogen's voice acting here. I am going on record right now by saying that I can't stand Seth Rogen. He irritates me to no end and his voice is just so disgusting that I want to stab my ears with pencils. Whew! That felt good to finally get off my chest. Putting aside my feelings toward him as an actor, he really nailed Paul's character. From his timing and delivery to the right amount of inflection on a key word or phrase that begs you not to laugh.
Overall, Paul is a fun comedy that proves once again that Pegg and Frost know what they're doing. Especially when it comes to paying their respects to films that they themselves have noted they loved so much as kids. I only wish Edgar Wright could have gotten his hands on this material. It would have been amazing.
On the 5 star scale. Paul gets 3.5 stars with a "Go See It" recommendation.
That's a wrap for today. Up next is Sucker Punch.
Until Next Episode...."I'll Save You A Seat!"
"D"
The Lincoln Lawyer
Welcome to another episode Lights....Camera....Popcorn!
Today's review is The Lincoln Lawyer. Directed by Brad Furman. Written by John Romano. Based on the novel "The Lincoln Lawyer" written by Michael Connelly.
Review #111
MPAA Rating: R for some violence, sexual content and language.
Runtime: 118 min
Cast
Matthew McConaughey - Mick Haller
Marisa Tomei - Maggie McPherson
Ryan Phillippe - Louis Roulet
William H. Macy - Frank Levin
Josh Lucas - Ted Minton
John Leguizamo - Val Valenzuela
Michael Peña - Jesus Martinez
Bob Gunton - Cecil Dobbs
Frances Fisher - Mary Windsor
Bryan Cranston - Detective Lankford
Trace Adkins - Eddie Vogel
Laurence Mason - Earl
Margarita Levieva - Reggie Campo
The justice system is a very complicated machine. When used properly it can be an indefensible weapon against the presumed unjust. However, it can also be manipulated to serve the needs of the unjust as well. This of course comes to light by the expertise of the defense attorney. It's a job that requires an incredible amount of skill, intelligence, knowledge and finally a very lengthy leash when it comes to morality.
Mick Haller has all those qualities and applies each one with a genius stroke that makes him a force to be reckoned with in the court room. What makes him even more engaging is the fact he operates his firm in the backseat of his Lincoln. He struts around the courthouse with this silent bravado, that is until he takes Louis Roulet's case. A rich brat who's charged with rape and assault. This case challenges Mick's ability to use the law to his benefit when he realizes things about his newest client as a strange connection is made with a past client.
At the outset, The Lincoln Lawyer is presented as your run of the mill legal thriller. You have your hot shot lawyer who can't lose. Until a specific case challenges his talents and moral code. But then it takes a very interesting turn and plays more like a heist film. What I mean by that is the 1 up-man-ship that ends up happening between Haller and Roulet as Haller discovers things about the case that trouble him. The flow of the story here is paced well. You get the right balance between plot changes. This allows you to stay with the action as it happens and not try to piece things together after the fact. Though there are some twists along the way there isn't any hocus pocus misdirection to get you there. It's cleverly crafted within the framework of reality.
The cast is quite stellar. Led of course by McConaughey. He brings a steely dignity to his profession of defending the scum of the earth. He has this no nonsense about him that strikes your attention. The rest of the ensemble is just as good with maybe the exception of Marisa Tomei's character. She plays Haller's ex wife and it seemed that she just wasn't needed in this film with exception of helping to move the story along. I think this is a by product of poor character development between her and Haller. They kind of breezed by the fact that they were once married. Their relationship is rather tame for a split couple and it felt confusing to me. Aside from that everyone else was fine.
On the 5 star scale. The Lincoln Lawyer gets 3 stars with a "Go See It" recommendation.
That's a wrap for today. Up next is Paul.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is The Lincoln Lawyer. Directed by Brad Furman. Written by John Romano. Based on the novel "The Lincoln Lawyer" written by Michael Connelly.
Review #111
MPAA Rating: R for some violence, sexual content and language.
Runtime: 118 min
Cast
Matthew McConaughey - Mick Haller
Marisa Tomei - Maggie McPherson
Ryan Phillippe - Louis Roulet
William H. Macy - Frank Levin
Josh Lucas - Ted Minton
John Leguizamo - Val Valenzuela
Michael Peña - Jesus Martinez
Bob Gunton - Cecil Dobbs
Frances Fisher - Mary Windsor
Bryan Cranston - Detective Lankford
Trace Adkins - Eddie Vogel
Laurence Mason - Earl
Margarita Levieva - Reggie Campo
The justice system is a very complicated machine. When used properly it can be an indefensible weapon against the presumed unjust. However, it can also be manipulated to serve the needs of the unjust as well. This of course comes to light by the expertise of the defense attorney. It's a job that requires an incredible amount of skill, intelligence, knowledge and finally a very lengthy leash when it comes to morality.
Mick Haller has all those qualities and applies each one with a genius stroke that makes him a force to be reckoned with in the court room. What makes him even more engaging is the fact he operates his firm in the backseat of his Lincoln. He struts around the courthouse with this silent bravado, that is until he takes Louis Roulet's case. A rich brat who's charged with rape and assault. This case challenges Mick's ability to use the law to his benefit when he realizes things about his newest client as a strange connection is made with a past client.
At the outset, The Lincoln Lawyer is presented as your run of the mill legal thriller. You have your hot shot lawyer who can't lose. Until a specific case challenges his talents and moral code. But then it takes a very interesting turn and plays more like a heist film. What I mean by that is the 1 up-man-ship that ends up happening between Haller and Roulet as Haller discovers things about the case that trouble him. The flow of the story here is paced well. You get the right balance between plot changes. This allows you to stay with the action as it happens and not try to piece things together after the fact. Though there are some twists along the way there isn't any hocus pocus misdirection to get you there. It's cleverly crafted within the framework of reality.
The cast is quite stellar. Led of course by McConaughey. He brings a steely dignity to his profession of defending the scum of the earth. He has this no nonsense about him that strikes your attention. The rest of the ensemble is just as good with maybe the exception of Marisa Tomei's character. She plays Haller's ex wife and it seemed that she just wasn't needed in this film with exception of helping to move the story along. I think this is a by product of poor character development between her and Haller. They kind of breezed by the fact that they were once married. Their relationship is rather tame for a split couple and it felt confusing to me. Aside from that everyone else was fine.
On the 5 star scale. The Lincoln Lawyer gets 3 stars with a "Go See It" recommendation.
That's a wrap for today. Up next is Paul.
Until Next Episode...."I'll Save You A Seat!"
"D"
Honored
Welcome to a special episode Lights....Camera....Popcorn!
Today's review is Honored. Written and Directed by Mike Miceli
Review #110
MPAA Rating: R for strong language and sexual content.
Runtime: 11 min
Cast
Phil Matthews - Vince
Jennifer Maria Weisbecker - Jeff's Sister
Belkus Petrus - Vince's Mom
Pat Verile - Vince's Dad
Miranda Fitzgerald - Store Girl
Darlene Kakalewski - Kim
Of the many films I have seen in my lifetime, some of the ones I appreciate the most are ones that are made by people I know. My respect is instantly earned. Since working for MLB I have come to know several people that have taken on the daunting task of making a film.
One person in particular is Thomas E. Rome.
He shoots camera for us at the J-O-B but has also uses his expertise to join forces with Robert Cinema. An independent film company that specializes in low budget films. The company was created in 1988 by brothers Robert and Mike Miceli in Dumont, New Jersey. They have made over 100 short films and 7 feature length pictures. Now they may specialize in low budget films but they have mastered comedy. I have seen a few of their films. Both short and feature length and each one has been just as funny if not funnier than it's predecessor. Honored is the latest entry into the hallowed filmography of Robert Cinema.
Vince is a guy that's looking for love. There's just one problem....Vince is a bit of a jerk. Just when things seem to be going well for Vince, his mouth gets in the way putting the kibosh on any chance of him gettin' some. Determined to find Ms. Right, Vince continues his daily grind hoping that one day cupid's arrow will hit him in the right "head" if you catch my drift.
I have to say that for a short film, these guys pulled out all the stops. They rolled the dice and gambled on some pretty revealing gags and it pays off big time. This of course would never be possible without the performance of Phil Matthews as Vince. This dude's got balls of steel and continues to push his comedic talents (of which he has a ton of) to the limit. Phil plays Vince masterfully as he toes the line of complete jerk and lovable loser. You feel contempt for his attitude and opinions while feeling sorry for him cause he just can't catch a break. All in the SAME SCENE! That's pretty impressive stuff.
The script is very well written. The balance of gags and jokes via dialogue are spread out evenly throughout. There's also some very clever camera work that reveals jokes that you don't see coming. There was a clear exhibit of technical, creative and performance integrity all the way to the end credits. There's just one problem with this film.
You can't see it yet.
It hasn't been released yet. This is the first film by the brothers that was shot in total HD. Needless to say that's a major undertaking so every little detail must be attended to in order to secure it's finest quality for a full blown release.
How did I get to see it you ask? Let's just say it's not what you know, it's who you know.
Suffice it to say that when Honored does get it's full fledged release I will be making sure that all of you see this film because it's worth your time. If not for anything else, support these guys. They are a talented bunch of lunatics who make damn funny films. They deserve your time and laughs.
They got mine.
On the 5 star scale. Honored gets 5 stars with a "Worth Every Penny" recommendation.
Since the film isn't out yet. I decided to leave you all with a link to their trailer and other goodies for your viewing pleasure.
http://www.youtube.com/watch?v=kFw7S0BLf-0
http://www.honoredthemovie.com/
http://www.powerpresskits.com/PPKs/indexC.aspx?PPK=7655
http://www.robertcinema.com/Welcome.html
Finally check out my boy Tom's site. Clark Street Productions.
http://web.mac.com/clarkstreet/iWeb/Site/Welcome.html
That's a wrap for today.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Honored. Written and Directed by Mike Miceli
Review #110
MPAA Rating: R for strong language and sexual content.
Runtime: 11 min
Cast
Phil Matthews - Vince
Jennifer Maria Weisbecker - Jeff's Sister
Belkus Petrus - Vince's Mom
Pat Verile - Vince's Dad
Miranda Fitzgerald - Store Girl
Darlene Kakalewski - Kim
Of the many films I have seen in my lifetime, some of the ones I appreciate the most are ones that are made by people I know. My respect is instantly earned. Since working for MLB I have come to know several people that have taken on the daunting task of making a film.
One person in particular is Thomas E. Rome.
He shoots camera for us at the J-O-B but has also uses his expertise to join forces with Robert Cinema. An independent film company that specializes in low budget films. The company was created in 1988 by brothers Robert and Mike Miceli in Dumont, New Jersey. They have made over 100 short films and 7 feature length pictures. Now they may specialize in low budget films but they have mastered comedy. I have seen a few of their films. Both short and feature length and each one has been just as funny if not funnier than it's predecessor. Honored is the latest entry into the hallowed filmography of Robert Cinema.
Vince is a guy that's looking for love. There's just one problem....Vince is a bit of a jerk. Just when things seem to be going well for Vince, his mouth gets in the way putting the kibosh on any chance of him gettin' some. Determined to find Ms. Right, Vince continues his daily grind hoping that one day cupid's arrow will hit him in the right "head" if you catch my drift.
I have to say that for a short film, these guys pulled out all the stops. They rolled the dice and gambled on some pretty revealing gags and it pays off big time. This of course would never be possible without the performance of Phil Matthews as Vince. This dude's got balls of steel and continues to push his comedic talents (of which he has a ton of) to the limit. Phil plays Vince masterfully as he toes the line of complete jerk and lovable loser. You feel contempt for his attitude and opinions while feeling sorry for him cause he just can't catch a break. All in the SAME SCENE! That's pretty impressive stuff.
The script is very well written. The balance of gags and jokes via dialogue are spread out evenly throughout. There's also some very clever camera work that reveals jokes that you don't see coming. There was a clear exhibit of technical, creative and performance integrity all the way to the end credits. There's just one problem with this film.
You can't see it yet.
It hasn't been released yet. This is the first film by the brothers that was shot in total HD. Needless to say that's a major undertaking so every little detail must be attended to in order to secure it's finest quality for a full blown release.
How did I get to see it you ask? Let's just say it's not what you know, it's who you know.
Suffice it to say that when Honored does get it's full fledged release I will be making sure that all of you see this film because it's worth your time. If not for anything else, support these guys. They are a talented bunch of lunatics who make damn funny films. They deserve your time and laughs.
They got mine.
On the 5 star scale. Honored gets 5 stars with a "Worth Every Penny" recommendation.
Since the film isn't out yet. I decided to leave you all with a link to their trailer and other goodies for your viewing pleasure.
http://www.youtube.com/watch?v=kFw7S0BLf-0
http://www.honoredthemovie.com/
http://www.powerpresskits.com/PPKs/indexC.aspx?PPK=7655
http://www.robertcinema.com/Welcome.html
Finally check out my boy Tom's site. Clark Street Productions.
http://web.mac.com/clarkstreet/iWeb/Site/Welcome.html
That's a wrap for today.
Until Next Episode...."I'll Save You A Seat!"
"D"
Limitless
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Limitless. Directed by Neil Burger. Written by Leslie Dixon. Based on the novel "The Dark Fields." Written by Alan Glynn.
Review #109
MPAA Rating: PG-13 for thematic material involving a drug, violence including disturbing images, sexuality and language.
Runtime: 105 min
Cast
Bradley Cooper - Eddie Mora
Robert De Niro - Carl Van Loon
Abbie Cornish - Libby
Andrew Howard - Gennady
Anna Friel - Melissa
Johnny Whitworth - Vernon
Thomas Arana - Man in Tan Coat
Money....Status....Sex....POWER! These are all things that at some point in our lives have desired, acquired or both at the same time. These things are also very difficult to achieve. But what if there was a way to get all of these things and so much more in the time it takes to snap your fingers.
What would you do? How far would you go?
Eddie is a broken down writer with a severe case of loser syndrome. He's lost his girl and suffers from writer's block. His book is past due and barely makes ends meet. Until a chance or not so chance encounter with his brother in law and a mysterious pill changes all of that.
Right out of the gate, the premise of Limitless is very intriguing and aptly named. The execution of this premise is what troubled me. The film shines most of the time and the stylish presentation of the drug's affect on the user was very cool. Then the film takes it's necessary dark turn. This of course is status quo when it comes to a drug based movie. The user gets the high and lives life to the fullest. Then the drug crashes the user and said user falls into a sea of trouble and issues.
It's here where the movie stalls.
The problems that ensue for Eddie are mysteriously both formulaic and exciting. The problem here is that you are told how each problem is solved via Eddie's VO. The film is narrated mostly by him which makes this more an account of his experiences on the drug as opposed to his grind in the here and now. You are not given a chance as the audience to decipher how Eddie gets himself out of the trouble he "might" be in. This was a FATAL flaw for Limitless. In a film that gives you the opportunity to be intelligent, the powers that be chose "idiot" proof lingo and exposition. The other issue I had was an absolutely ridiculous scene that takes place in the third act. I dare not reveal what happens. I found it to be so far over the top and ludicrous that I was ready to bag this flick and put it on the Worst Films of 2011 list.
What gave Limitless a stay of execution was the dynamic between Cooper and the legend himself. De Niro's portrayal of the uber business man who has "fudged" a law or twelve is just legit and shady enough to make you question whether or not you should consider him friend or foe. He balances this quite well considering his screen time is close to 10 minutes or so. Give or take a minute or two. The back and forth between him and Cooper is pretty good. Cooper is fastly becoming more of a legit leading man candidate.
Then again should you expect anything less from one our time's absolute GREATEST.
The final aspect that made this movie good enough to avoid the cellar was the ending. It was very satisfying and believable. Unfortunately the over top aspect of certain scenes coupled with the unnecessary over use of exposition drops this one down a couple of pegs.
On the 5 star scale. Limitless gets 2.5 stars with a "Go See It." Recommendation.
That's a wrap for today. Up next is the Lincoln Lawyer to be followed by Paul and Sucker Punch.
March has been cranking out some pretty good flicks. Let's hope the momentum can stick around until the blockbusters come and take our $$$.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Limitless. Directed by Neil Burger. Written by Leslie Dixon. Based on the novel "The Dark Fields." Written by Alan Glynn.
Review #109
MPAA Rating: PG-13 for thematic material involving a drug, violence including disturbing images, sexuality and language.
Runtime: 105 min
Cast
Bradley Cooper - Eddie Mora
Robert De Niro - Carl Van Loon
Abbie Cornish - Libby
Andrew Howard - Gennady
Anna Friel - Melissa
Johnny Whitworth - Vernon
Thomas Arana - Man in Tan Coat
Money....Status....Sex....POWER! These are all things that at some point in our lives have desired, acquired or both at the same time. These things are also very difficult to achieve. But what if there was a way to get all of these things and so much more in the time it takes to snap your fingers.
What would you do? How far would you go?
Eddie is a broken down writer with a severe case of loser syndrome. He's lost his girl and suffers from writer's block. His book is past due and barely makes ends meet. Until a chance or not so chance encounter with his brother in law and a mysterious pill changes all of that.
Right out of the gate, the premise of Limitless is very intriguing and aptly named. The execution of this premise is what troubled me. The film shines most of the time and the stylish presentation of the drug's affect on the user was very cool. Then the film takes it's necessary dark turn. This of course is status quo when it comes to a drug based movie. The user gets the high and lives life to the fullest. Then the drug crashes the user and said user falls into a sea of trouble and issues.
It's here where the movie stalls.
The problems that ensue for Eddie are mysteriously both formulaic and exciting. The problem here is that you are told how each problem is solved via Eddie's VO. The film is narrated mostly by him which makes this more an account of his experiences on the drug as opposed to his grind in the here and now. You are not given a chance as the audience to decipher how Eddie gets himself out of the trouble he "might" be in. This was a FATAL flaw for Limitless. In a film that gives you the opportunity to be intelligent, the powers that be chose "idiot" proof lingo and exposition. The other issue I had was an absolutely ridiculous scene that takes place in the third act. I dare not reveal what happens. I found it to be so far over the top and ludicrous that I was ready to bag this flick and put it on the Worst Films of 2011 list.
What gave Limitless a stay of execution was the dynamic between Cooper and the legend himself. De Niro's portrayal of the uber business man who has "fudged" a law or twelve is just legit and shady enough to make you question whether or not you should consider him friend or foe. He balances this quite well considering his screen time is close to 10 minutes or so. Give or take a minute or two. The back and forth between him and Cooper is pretty good. Cooper is fastly becoming more of a legit leading man candidate.
Then again should you expect anything less from one our time's absolute GREATEST.
The final aspect that made this movie good enough to avoid the cellar was the ending. It was very satisfying and believable. Unfortunately the over top aspect of certain scenes coupled with the unnecessary over use of exposition drops this one down a couple of pegs.
On the 5 star scale. Limitless gets 2.5 stars with a "Go See It." Recommendation.
That's a wrap for today. Up next is the Lincoln Lawyer to be followed by Paul and Sucker Punch.
March has been cranking out some pretty good flicks. Let's hope the momentum can stick around until the blockbusters come and take our $$$.
Until Next Episode...."I'll Save You A Seat!"
"D"
Red Riding Hood
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Red Riding Hood. Directed by Cathernine Hardwicke. Written by David Johnson.
Review #108
MPAA Rating: PG-13 for violence and creature terror, and some sensuality.
Runtime: 100 min
Cast
Amanda Seyfried - Valerie
Gary Oldman - Father Solomon
Billy Burke - Cesaire
Shiloh Fernandez - Peter
Max Irons - Henry
Virginia Madsen - Suzette
Lukas Haas - Father Auguste
Julie Christie - Grandmother
And thus it begins. The latest en vogue thing in Hollywood. Adapting old time fantasy stories into live action films. Along with Beastly which is a remake of Beauty and The Beast. Red Riding Hood is the next to kick off what will be a future onslaught of fantasy films. From Hansel & Gretel to Jack and The Beanstalk to Cinderella to two versions of Snow White. Why film makers insist on going this route is beyond comprehension but as long as they pull in $$$ it doesn't really matter.
It's too bad because if the almighty buck wasn't the singular motivating factor for making these films, Red Riding Hood could have and should have been better than what it was.
Valerie is a young girl who formed a deep love for her childhood friend Peter. Their love can't be consummated because Valerie has been promised to marry Henry. This of course is the least of her problems because her town of Daggenhorn is under siege by a vicious werewolf. Hoping to help, the town's priest enlists the help of Father Solomon who's had experience in dealing with creatures of other worldly origin.
Red Riding Hood can be described in two words. Ambitious and Draggy. Neither are complementary. Throughout the picture you are shown several potential werewolf suspects and it initially creates an interesting mystery. Then for some reason it goes into overkill. The movie goes too far trying to misdirect the audience with who the real werewolf is that when you finally find out, the pay off is VERY unsatisfying. The pacing of the film doesn't help it's cause either. After each wolf attack, the movie comes to a grinding halt. Filled with lazy transitions and investigation of who the wolf really is. The performances by the cast is standard. Even the great Gary Oldman gives you the impression of paycheck acting.
It really is too bad because the effort was valiant but the execution was sloppy and poorly constructed. If this is what the future holds for our favorite bedtime stories then perhaps it's time to go back and hit the books.
On the 5 star scale. Red Riding Hood gets 2 stars. With a "Netflix It" recommendation.
That's a wrap for today. Up next is Limitless followed by The Lincoln Lawyer then Sucker Punch.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Red Riding Hood. Directed by Cathernine Hardwicke. Written by David Johnson.
Review #108
MPAA Rating: PG-13 for violence and creature terror, and some sensuality.
Runtime: 100 min
Cast
Amanda Seyfried - Valerie
Gary Oldman - Father Solomon
Billy Burke - Cesaire
Shiloh Fernandez - Peter
Max Irons - Henry
Virginia Madsen - Suzette
Lukas Haas - Father Auguste
Julie Christie - Grandmother
And thus it begins. The latest en vogue thing in Hollywood. Adapting old time fantasy stories into live action films. Along with Beastly which is a remake of Beauty and The Beast. Red Riding Hood is the next to kick off what will be a future onslaught of fantasy films. From Hansel & Gretel to Jack and The Beanstalk to Cinderella to two versions of Snow White. Why film makers insist on going this route is beyond comprehension but as long as they pull in $$$ it doesn't really matter.
It's too bad because if the almighty buck wasn't the singular motivating factor for making these films, Red Riding Hood could have and should have been better than what it was.
Valerie is a young girl who formed a deep love for her childhood friend Peter. Their love can't be consummated because Valerie has been promised to marry Henry. This of course is the least of her problems because her town of Daggenhorn is under siege by a vicious werewolf. Hoping to help, the town's priest enlists the help of Father Solomon who's had experience in dealing with creatures of other worldly origin.
Red Riding Hood can be described in two words. Ambitious and Draggy. Neither are complementary. Throughout the picture you are shown several potential werewolf suspects and it initially creates an interesting mystery. Then for some reason it goes into overkill. The movie goes too far trying to misdirect the audience with who the real werewolf is that when you finally find out, the pay off is VERY unsatisfying. The pacing of the film doesn't help it's cause either. After each wolf attack, the movie comes to a grinding halt. Filled with lazy transitions and investigation of who the wolf really is. The performances by the cast is standard. Even the great Gary Oldman gives you the impression of paycheck acting.
It really is too bad because the effort was valiant but the execution was sloppy and poorly constructed. If this is what the future holds for our favorite bedtime stories then perhaps it's time to go back and hit the books.
On the 5 star scale. Red Riding Hood gets 2 stars. With a "Netflix It" recommendation.
That's a wrap for today. Up next is Limitless followed by The Lincoln Lawyer then Sucker Punch.
Until Next Episode...."I'll Save You A Seat!"
"D"
Battle: Los Angeles
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Battle: Los Angeles. Directed by Jonathan Liebesman. Written by Christopher Bertolini.
Review #107
MPAA Rating: PG-13 for sustained and intense sequences of war violence and destruction, and for language.
Runtime: 116 min
Cast
Aaron Eckhart - SSgt. Michael Nantz
Ramon Rodriguez - 2nd Lt. William Martinez
Cory Hardrict - Cpl. Jason Lockett
Ne-Yo - Cpl. Kevin Harris
Bridget Moynahan - Michele
Noel Fisher - Pfc. Shaun Lenihan
Adetokumboh M'Cormack - Corpsman Jibril Adukwu
Bryce Cass - Hector Rincon
Michael Peña - Joe Rincon
Michelle Rodriguez - TSgt. Elena Santos
When it comes to alien invasion movies, it's either hit or miss. In fact off the top of my head, only The War of The Worlds (1953) make the cut. Other than that I can't recall an alien invasion film that was overall good throughout. I know that most of you may make the case for Independence Day as one but let me save your breath. That movie was HORRIBLY miscast with the exceptions of Will Smith and Jeff Goldblum. The script was frivolous at best and the creature design was laughable. What made it so popular was the ahead of it's time special effects and action. The first 30 minutes of that movie chronicling the alien arrival was well executed.
After that....UGH!
The early trailers for Battle: Los Angeles immediately gave me the impression of Skyline on steroids. That people was not a good thing since Skyline was one of the worst films of 2010. This film was not that. It was better. In fact it was more than better.
It was a damn good film.
The premise is no different than any of it's predecessors. An extraterrestrial species invades earth for the purpose of plundering the planets water supply. What makes this film fresher than the others is the execution of the narrative. The story is told through the exploits of a single marine unit tasked with extracting survivors in a run down police station. Their mission is to find them and bring them back to the base of operations before an air strike levels the area they are in.
That right there makes the film exciting. Not only were these Marines tossed into a beyond hostile environment, a clock was placed over their head. This ratchets up the tension and time frame. If that didn't float your boat then the action surely will. It was relentless and furious. The battles like most of the film were shot hand held which gave it a very overwhelming feel. You're supposed to feel what it's like running around a FUBAR'D neighborhood trying to avoid alien fire while escorting civilians to safety. This comes across nicely.
The film does give you chances to catch a breath between action beats but they don't last that long. This was another good aspect of Battle: Los Angeles. As over the top the premise is, it's grounded in reality. How much time would you have to rest if you were under attack by an other worldly force that's far more advanced in technology, weaponry and their sole purpose is your destruction? The film has a claustrophobic effect to it which also adds to the adrenaline that flows throughout the action scenes. The Marines are small in numbers going against a much larger and superior enemy in a very enclosed surrounding. It instantly reminds you of Black Hawk Down. Not in story or presentation but in proximity of heroes to villains.
The best part about this film was that the human race had a fighting chance at the very beginning of the invasion. There was massive destruction of major cities and collateral damage but the aliens weren't by any means invincible. Their technology was advanced but able to be circumvented. This was a nice touch that doesn't get explored in films of this nature. Instead you are told stories of our world on the brink of extinction until some nerd devises a ridiculous plan to save our planet. The Marines do have successful battles but keeping with the rules of a superior enemy, there are casualties.
This leads to the only bug a boo about this movie. There really isn't a whole lot of character development with the Marines. This can lead to apathy when they fall. That really is up to your feeling as you see the movie. I for one felt the CD was a little light but there was just enough to invest in certain characters and develop a connection with the major cast. In the long run it didn't factor much at all because the film was satisfying on all other levels.
On the 5 star scale. Battle: Los Angeles gets 4 stars with a "Worth Every Penny" recommendation.
This was a very fun, intelligent and exciting alien invasion film that relies on performance and setting to complement it's impressive CGI. Check this one out. I think you'll dig it.
That's a wrap for today. Up next is Red Riding Hood.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Battle: Los Angeles. Directed by Jonathan Liebesman. Written by Christopher Bertolini.
Review #107
MPAA Rating: PG-13 for sustained and intense sequences of war violence and destruction, and for language.
Runtime: 116 min
Cast
Aaron Eckhart - SSgt. Michael Nantz
Ramon Rodriguez - 2nd Lt. William Martinez
Cory Hardrict - Cpl. Jason Lockett
Ne-Yo - Cpl. Kevin Harris
Bridget Moynahan - Michele
Noel Fisher - Pfc. Shaun Lenihan
Adetokumboh M'Cormack - Corpsman Jibril Adukwu
Bryce Cass - Hector Rincon
Michael Peña - Joe Rincon
Michelle Rodriguez - TSgt. Elena Santos
When it comes to alien invasion movies, it's either hit or miss. In fact off the top of my head, only The War of The Worlds (1953) make the cut. Other than that I can't recall an alien invasion film that was overall good throughout. I know that most of you may make the case for Independence Day as one but let me save your breath. That movie was HORRIBLY miscast with the exceptions of Will Smith and Jeff Goldblum. The script was frivolous at best and the creature design was laughable. What made it so popular was the ahead of it's time special effects and action. The first 30 minutes of that movie chronicling the alien arrival was well executed.
After that....UGH!
The early trailers for Battle: Los Angeles immediately gave me the impression of Skyline on steroids. That people was not a good thing since Skyline was one of the worst films of 2010. This film was not that. It was better. In fact it was more than better.
It was a damn good film.
The premise is no different than any of it's predecessors. An extraterrestrial species invades earth for the purpose of plundering the planets water supply. What makes this film fresher than the others is the execution of the narrative. The story is told through the exploits of a single marine unit tasked with extracting survivors in a run down police station. Their mission is to find them and bring them back to the base of operations before an air strike levels the area they are in.
That right there makes the film exciting. Not only were these Marines tossed into a beyond hostile environment, a clock was placed over their head. This ratchets up the tension and time frame. If that didn't float your boat then the action surely will. It was relentless and furious. The battles like most of the film were shot hand held which gave it a very overwhelming feel. You're supposed to feel what it's like running around a FUBAR'D neighborhood trying to avoid alien fire while escorting civilians to safety. This comes across nicely.
The film does give you chances to catch a breath between action beats but they don't last that long. This was another good aspect of Battle: Los Angeles. As over the top the premise is, it's grounded in reality. How much time would you have to rest if you were under attack by an other worldly force that's far more advanced in technology, weaponry and their sole purpose is your destruction? The film has a claustrophobic effect to it which also adds to the adrenaline that flows throughout the action scenes. The Marines are small in numbers going against a much larger and superior enemy in a very enclosed surrounding. It instantly reminds you of Black Hawk Down. Not in story or presentation but in proximity of heroes to villains.
The best part about this film was that the human race had a fighting chance at the very beginning of the invasion. There was massive destruction of major cities and collateral damage but the aliens weren't by any means invincible. Their technology was advanced but able to be circumvented. This was a nice touch that doesn't get explored in films of this nature. Instead you are told stories of our world on the brink of extinction until some nerd devises a ridiculous plan to save our planet. The Marines do have successful battles but keeping with the rules of a superior enemy, there are casualties.
This leads to the only bug a boo about this movie. There really isn't a whole lot of character development with the Marines. This can lead to apathy when they fall. That really is up to your feeling as you see the movie. I for one felt the CD was a little light but there was just enough to invest in certain characters and develop a connection with the major cast. In the long run it didn't factor much at all because the film was satisfying on all other levels.
On the 5 star scale. Battle: Los Angeles gets 4 stars with a "Worth Every Penny" recommendation.
This was a very fun, intelligent and exciting alien invasion film that relies on performance and setting to complement it's impressive CGI. Check this one out. I think you'll dig it.
That's a wrap for today. Up next is Red Riding Hood.
Until Next Episode...."I'll Save You A Seat!"
"D"
Rango
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Rango. Directed by Gore Verbinski. Written by John Logan. Screen Story by John Logan, Gore Verbinski & James Ward Byrkit.
Review #106
MPAA Rating: PG for rude humor, language, action and smoking.
Runtime: 107 min
Cast
Johnny Depp - Rango / Lars
Isla Fisher - Beans
Abigail Breslin - Priscilla
Ned Beatty - Mayor
Alfred Molina - Roadkill
Bill Nighy - Rattlesnake Jake
Stephen Root - Doc / Merrimack / Mr. Snuggles
Harry Dean Stanton - Balthazar
Timothy Olyphant - Spirit of the West
Ray Winstone - Bad Bill
The world of animated films has taken us to places that we have never been before. Sometimes they take you to a place that existed at one time or another. Like the wild west. This film brings you to that world in it's clearest, dangerous and most beautiful form.
Rango is a typical house chameleon who gets separated from his family on a road trip in the desert. In his travels, he stumbles across the town of Dirt. A lawless outpost in the Wild West in desperate need of a new sheriff. Feeling the desperate need to be accepted and popular he fabricates his life story to the townspeople. They are more than willing to accept him for who he says he is so he can help the town solve their severe water shortage.
The first thing to take away from this movie is the look and animation of the animals. It is beyond first rate. In fact it buries the look of the owls in Legend of The Guardians: The Owls of Ga'Hoole. These creatures are so life like combined with their incredibly fine tuned detail, it was just a treat to watch. However, it's that same detail that could be a weakness for the film in the sense that the animals are very creepy looking. Since the setting is a western desert town, the population is made up of various types of lizards, spiders, bats, snakes and so on. They are also dingy and dirty looking to match the western theme. The end result could be rather spooky for the little ones, especially when Rattlesnake Jake appears. So I would proceed with caution if they are the skittish type.
Of course great animation doesn't mean jack unless you have talented voices lending their talents to bring these creatures to life and Rango has that in spades. The voice cast is just tremendous highlighted by Johnny Depp's performance. You can hear in his read that he's really digging the character and just has a ton of fun making Rango his own. Holding his own with Depp is Bill Nighy as Rattlesnake Jake. This was one badass scary character and Nighy's snarly take just ratchets up the tension that the Jake creates.
If I had to quibble about one thing with Rango it's that the story has a small case of an identity crisis. It's not funny enough to be a straight out comedy. Yet it's not serious enough to be a drama either. The film carefully toes the line between the two. The balance is managed just right but I fear that because of the setting of the film in addition to the not so cute critters that roam around this picture that it falls into a movie limbo.
It's good enough for older audiences but just kiddie enough to bring in the ankle biters.
Overall, Rango was a fun film that was an absolute treat for the eyes in terms of look, presentation and detail. The cast was exceptional and the animation was above top notch. I can't stress this enough. Leave the "little" little ones at home for this one. The look of the animals might freak them out. I would say anywhere from 9 or up is good enough.
On the 5 star scale. Rango gets 4 stars with a "Worth Every Penny" recommendation.
That's a wrap for today. Up next is Battle: Los Angeles.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Rango. Directed by Gore Verbinski. Written by John Logan. Screen Story by John Logan, Gore Verbinski & James Ward Byrkit.
Review #106
MPAA Rating: PG for rude humor, language, action and smoking.
Runtime: 107 min
Cast
Johnny Depp - Rango / Lars
Isla Fisher - Beans
Abigail Breslin - Priscilla
Ned Beatty - Mayor
Alfred Molina - Roadkill
Bill Nighy - Rattlesnake Jake
Stephen Root - Doc / Merrimack / Mr. Snuggles
Harry Dean Stanton - Balthazar
Timothy Olyphant - Spirit of the West
Ray Winstone - Bad Bill
The world of animated films has taken us to places that we have never been before. Sometimes they take you to a place that existed at one time or another. Like the wild west. This film brings you to that world in it's clearest, dangerous and most beautiful form.
Rango is a typical house chameleon who gets separated from his family on a road trip in the desert. In his travels, he stumbles across the town of Dirt. A lawless outpost in the Wild West in desperate need of a new sheriff. Feeling the desperate need to be accepted and popular he fabricates his life story to the townspeople. They are more than willing to accept him for who he says he is so he can help the town solve their severe water shortage.
The first thing to take away from this movie is the look and animation of the animals. It is beyond first rate. In fact it buries the look of the owls in Legend of The Guardians: The Owls of Ga'Hoole. These creatures are so life like combined with their incredibly fine tuned detail, it was just a treat to watch. However, it's that same detail that could be a weakness for the film in the sense that the animals are very creepy looking. Since the setting is a western desert town, the population is made up of various types of lizards, spiders, bats, snakes and so on. They are also dingy and dirty looking to match the western theme. The end result could be rather spooky for the little ones, especially when Rattlesnake Jake appears. So I would proceed with caution if they are the skittish type.
Of course great animation doesn't mean jack unless you have talented voices lending their talents to bring these creatures to life and Rango has that in spades. The voice cast is just tremendous highlighted by Johnny Depp's performance. You can hear in his read that he's really digging the character and just has a ton of fun making Rango his own. Holding his own with Depp is Bill Nighy as Rattlesnake Jake. This was one badass scary character and Nighy's snarly take just ratchets up the tension that the Jake creates.
If I had to quibble about one thing with Rango it's that the story has a small case of an identity crisis. It's not funny enough to be a straight out comedy. Yet it's not serious enough to be a drama either. The film carefully toes the line between the two. The balance is managed just right but I fear that because of the setting of the film in addition to the not so cute critters that roam around this picture that it falls into a movie limbo.
It's good enough for older audiences but just kiddie enough to bring in the ankle biters.
Overall, Rango was a fun film that was an absolute treat for the eyes in terms of look, presentation and detail. The cast was exceptional and the animation was above top notch. I can't stress this enough. Leave the "little" little ones at home for this one. The look of the animals might freak them out. I would say anywhere from 9 or up is good enough.
On the 5 star scale. Rango gets 4 stars with a "Worth Every Penny" recommendation.
That's a wrap for today. Up next is Battle: Los Angeles.
Until Next Episode...."I'll Save You A Seat!"
"D"
The Adjustment Bureau
Welcome to another episode Lights....Camera....Popcorn!
Today's review is The Adjustment Bureau. Written and Directed by George Nolfi. Based on the short story "The Adjustment Team." Written by Phillip K. Dick.
Review #105
MPAA Rating: PG-13 for brief strong language, some sexuality and a violent image.
Runtime: 105 min
Cast
Matt Damon - David Norris
Emily Blunt - Elise Sellas
Michael Kelly - Charlie Traynor
Anthony Mackie - Harry Mitchell
John Slattery - Richardson
Terence Stamp - Thompson
When it comes to the amazing world of science fiction, there's only one name that reigns supreme.
Phillip K. Dick.
This man has written stories, upon stories, upon stories that have captivated the minds of people and geeks everywhere. But no more present in Hollywood. With the lack of ability or trust of movie scribes today, when tinseltown wants to make a sci fi pic, they turn to good old Phil to entertain and amaze us. Of course, like many adapted works that preceded him, his wonderful vision gets clouded by stupidity, lazy writing or worse, commercial opportunity. Of the many films that were "based" on Dick's work, there are probably only 3 films that make the cut in terms of matching or exceeding his imagination.
Blade Runner
Total Recall
A Scanner Darkly
What followed was flop after flop which brings a tear to my eye. Knowing that most of this geniuses finest writing has been squandered away for reasons unknown or known depending on your point of view. That is until now. George Nolfi has placed his hat into the Phillip K. Dick ring and came out with a pretty damn good, entertaining and thought provoking film.
On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris meets a beautiful contemporary ballet dancer Elise Sellas, a woman like none he's ever known. But just as he realizes he's falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself. The men of The Adjustment Bureau who will do everything in their considerable power to prevent David and Elise from being together.
The thing that becomes very evident in this film is the strong religious themes that flow throughout the story. You begin to wonder if this is a sci fi film at all. This doesn't hurt the film in any way. In my opinion, it helps because you end up rooting for David and Elise so much more. That kind of momentum isn't as powerful without the cloudiness of the "adjusters" true identity. The mystery surrounding their origin and tactics also make this film entertaining. You don't know how to feel about them. You like them, then you don't. Normally that would drop the film down a peg or two for me but just like the cross breeding between genres and themes. It works.
The film is exquisitely cast. filled with performers of high caliber and ability. We all know Matt Damon's chops but the rest of the cast hold their own superbly. Highlighted by my brand new celebrity crush. Emily Blunt is just STUNNING! her character is so full of life and energy that she shoots it through the screen at you. She's supposed to be the yin to Damon's yang and that's why they meshed so well together. Their initial meeting was a bit awkward and clumsy but once you get past that, the dynamic between the two is remarkable.
John Slattery does a great job as Richardson. Channeling his Roger Sterling look from Mad Men, he races around NY with a dignity and polish that makes him more than just a character actor. Terrence Stamp and Anthony Mackie do their parts to move things along in the predictable direction that the film takes. Which leads to the bug a boo about The Adjustment Bureau. The ending is predictable and not as rewarding as it probably should have been but if you were invested in David and Elise's journey from the beginning then the final few minutes shouldn't surprise you anyway.
Bottom line, The Adjustment Bureau is a film that is as clear cut as you can get and yet it provides enough entertainment, action, heart, romance and love.That in a word is what the film is about. I had fun watching this film and thinking about what I would do if I was in Damon's position.
How far would you go? How much would you risk? What would it take to be with the one you love?
You be the judge.
On the 5 star scale. The Adjustment Bureau gets 4 stars with a "Worth Every Penny" recommendation.
That's a wrap for today. Rango to be followed by Batlle: Los Angeles and Red Riding Hood.
Until next episode...."I'll Save You A Seat!"
"D"
Today's review is The Adjustment Bureau. Written and Directed by George Nolfi. Based on the short story "The Adjustment Team." Written by Phillip K. Dick.
Review #105
MPAA Rating: PG-13 for brief strong language, some sexuality and a violent image.
Runtime: 105 min
Cast
Matt Damon - David Norris
Emily Blunt - Elise Sellas
Michael Kelly - Charlie Traynor
Anthony Mackie - Harry Mitchell
John Slattery - Richardson
Terence Stamp - Thompson
When it comes to the amazing world of science fiction, there's only one name that reigns supreme.
Phillip K. Dick.
This man has written stories, upon stories, upon stories that have captivated the minds of people and geeks everywhere. But no more present in Hollywood. With the lack of ability or trust of movie scribes today, when tinseltown wants to make a sci fi pic, they turn to good old Phil to entertain and amaze us. Of course, like many adapted works that preceded him, his wonderful vision gets clouded by stupidity, lazy writing or worse, commercial opportunity. Of the many films that were "based" on Dick's work, there are probably only 3 films that make the cut in terms of matching or exceeding his imagination.
Blade Runner
Total Recall
A Scanner Darkly
What followed was flop after flop which brings a tear to my eye. Knowing that most of this geniuses finest writing has been squandered away for reasons unknown or known depending on your point of view. That is until now. George Nolfi has placed his hat into the Phillip K. Dick ring and came out with a pretty damn good, entertaining and thought provoking film.
On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris meets a beautiful contemporary ballet dancer Elise Sellas, a woman like none he's ever known. But just as he realizes he's falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself. The men of The Adjustment Bureau who will do everything in their considerable power to prevent David and Elise from being together.
The thing that becomes very evident in this film is the strong religious themes that flow throughout the story. You begin to wonder if this is a sci fi film at all. This doesn't hurt the film in any way. In my opinion, it helps because you end up rooting for David and Elise so much more. That kind of momentum isn't as powerful without the cloudiness of the "adjusters" true identity. The mystery surrounding their origin and tactics also make this film entertaining. You don't know how to feel about them. You like them, then you don't. Normally that would drop the film down a peg or two for me but just like the cross breeding between genres and themes. It works.
The film is exquisitely cast. filled with performers of high caliber and ability. We all know Matt Damon's chops but the rest of the cast hold their own superbly. Highlighted by my brand new celebrity crush. Emily Blunt is just STUNNING! her character is so full of life and energy that she shoots it through the screen at you. She's supposed to be the yin to Damon's yang and that's why they meshed so well together. Their initial meeting was a bit awkward and clumsy but once you get past that, the dynamic between the two is remarkable.
John Slattery does a great job as Richardson. Channeling his Roger Sterling look from Mad Men, he races around NY with a dignity and polish that makes him more than just a character actor. Terrence Stamp and Anthony Mackie do their parts to move things along in the predictable direction that the film takes. Which leads to the bug a boo about The Adjustment Bureau. The ending is predictable and not as rewarding as it probably should have been but if you were invested in David and Elise's journey from the beginning then the final few minutes shouldn't surprise you anyway.
Bottom line, The Adjustment Bureau is a film that is as clear cut as you can get and yet it provides enough entertainment, action, heart, romance and love.That in a word is what the film is about. I had fun watching this film and thinking about what I would do if I was in Damon's position.
How far would you go? How much would you risk? What would it take to be with the one you love?
You be the judge.
On the 5 star scale. The Adjustment Bureau gets 4 stars with a "Worth Every Penny" recommendation.
That's a wrap for today. Rango to be followed by Batlle: Los Angeles and Red Riding Hood.
Until next episode...."I'll Save You A Seat!"
"D"
Hall Pass
Welcome to another episode Lights....Camera....Popcorn!
Today's review is Hall Pass. Directed by Bobby & Peter Farrelly. Written by Pete Jones, Kevin Barnett & The Farrelly Brothers.
Review #104
MPAA Rating: R for crude and sexual humor throughout, language, some graphic nudity and drug use.
Runtime: 105 min
Cast
Owen Wilson - Rick
Jason Sudeikis - Fred
Jenna Fischer - Maggie
Christina Applegate - Grace
Nicky Whelan - Leigh
Richard Jenkins - Coakley
Stephen Merchant - Gary
Larry Joe Campbell - Hog-Head
J.B. Smoove - Flats
Joy Behar - Dr. Lucy
The Farrelly Bros. became a household name in the mid 90's with back to back to back comedy hits. Dumb and Dumber, Kingpin and There's Something About Mary. Then for some inexplicable reason their comedic powers began to fail them and their next round of films were not only flops at the box office, they were panned by critics and rightfully so. So here we are in 2011 and Hall Pass has come to grace us with another attempt by the brothers to recapture their comic prowess of the 90's.
Did they succeed? Kind of.
Sensing that their marriages are losing their fire. Maggie and Grace give their husbands a hall pass which gives them a week off from marriage to do whatever their little hearts desire. Rick is unwilling and hesitant to participate at first but after some coaxing from Fred, they're both on board and go for it. What they realize as the week goes by changes their view on their lives with their wives forever.
This film wasn't a successful return to the Farrelly Brothers universe, but it was closer than they've been in quite a while. The main difference between this latest entry and the others was that Hall Pass has a lot more heart to it. This film has a life lesson attached to it's yuk's and chuckles. Surprisingly it worked. What didn't work too well was the comedy. In spurts you get some pretty good laughs but they are few and far between to sustain and hour and forty five minutes.
Owen Wilson was miscast here. He's too schlubby and stiff here. Jason Sudeikis was admirable and quite slick with his timing. His problem here is he's playing a character type that has been seen and done much better before him. The real disappointment here is the use or lack of Richard Jenkins character Coakley. This guy was a riot and he gets a weak intro at the beginning and a small dose at the end. His character was meant to be supporting but it was implied that he was an important member of the cast. That's too bad because he was the coolest and funniest part of the movie. His dialogue was the sharpest, funniest and delivered with just the right amount of silliness and punch to send you over the chair.
That's the biggest problem with this film. The film plays it safe. It wanted to take you over the edge and instead it hit the brakes on the car just before flying off the cliff. To add insult to injury, you see actual proof of their "taking risks" intentions only to flop afterwards.
LAME!
On the 5 star scale. Hall Pass gets 2 stars with a "Netflix It" recommendation.
That's a wrap for today. Up next is The Adjustment Bureau.
Until Next Episode...."I'll Save You A Seat!"
"D"
Today's review is Hall Pass. Directed by Bobby & Peter Farrelly. Written by Pete Jones, Kevin Barnett & The Farrelly Brothers.
Review #104
MPAA Rating: R for crude and sexual humor throughout, language, some graphic nudity and drug use.
Runtime: 105 min
Cast
Owen Wilson - Rick
Jason Sudeikis - Fred
Jenna Fischer - Maggie
Christina Applegate - Grace
Nicky Whelan - Leigh
Richard Jenkins - Coakley
Stephen Merchant - Gary
Larry Joe Campbell - Hog-Head
J.B. Smoove - Flats
Joy Behar - Dr. Lucy
The Farrelly Bros. became a household name in the mid 90's with back to back to back comedy hits. Dumb and Dumber, Kingpin and There's Something About Mary. Then for some inexplicable reason their comedic powers began to fail them and their next round of films were not only flops at the box office, they were panned by critics and rightfully so. So here we are in 2011 and Hall Pass has come to grace us with another attempt by the brothers to recapture their comic prowess of the 90's.
Did they succeed? Kind of.
Sensing that their marriages are losing their fire. Maggie and Grace give their husbands a hall pass which gives them a week off from marriage to do whatever their little hearts desire. Rick is unwilling and hesitant to participate at first but after some coaxing from Fred, they're both on board and go for it. What they realize as the week goes by changes their view on their lives with their wives forever.
This film wasn't a successful return to the Farrelly Brothers universe, but it was closer than they've been in quite a while. The main difference between this latest entry and the others was that Hall Pass has a lot more heart to it. This film has a life lesson attached to it's yuk's and chuckles. Surprisingly it worked. What didn't work too well was the comedy. In spurts you get some pretty good laughs but they are few and far between to sustain and hour and forty five minutes.
Owen Wilson was miscast here. He's too schlubby and stiff here. Jason Sudeikis was admirable and quite slick with his timing. His problem here is he's playing a character type that has been seen and done much better before him. The real disappointment here is the use or lack of Richard Jenkins character Coakley. This guy was a riot and he gets a weak intro at the beginning and a small dose at the end. His character was meant to be supporting but it was implied that he was an important member of the cast. That's too bad because he was the coolest and funniest part of the movie. His dialogue was the sharpest, funniest and delivered with just the right amount of silliness and punch to send you over the chair.
That's the biggest problem with this film. The film plays it safe. It wanted to take you over the edge and instead it hit the brakes on the car just before flying off the cliff. To add insult to injury, you see actual proof of their "taking risks" intentions only to flop afterwards.
LAME!
On the 5 star scale. Hall Pass gets 2 stars with a "Netflix It" recommendation.
That's a wrap for today. Up next is The Adjustment Bureau.
Until Next Episode...."I'll Save You A Seat!"
"D"
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